| [00:08.70] |
They're selling postcards of the hanging |
| [00:13.00] |
They're painting the passports brown |
| [00:18.10] |
The beauty parlor is filled with sailors |
| [00:21.60] |
The circus is in town |
| [00:27.40] |
Here comes the blind commissioner |
| [00:31.10] |
They've got him in a trance |
| [00:35.60] |
One hand is tied to the tight-rope walker |
| [00:40.40] |
The other is in his pants |
| [00:45.10] |
And the riot squad they're restless |
| [00:49.50] |
They need somewhere to go |
| [00:53.90] |
As Lady and I look out tonight |
| [00:58.50] |
From Desolation Row |
| [01:07.40] |
Cinderella, she seems so easy |
| [01:12.00] |
"It takes one to know one," she smiles |
| [01:16.70] |
And puts her hands in her back pockets |
| [01:21.20] |
Bette Davis style |
| [01:25.50] |
And in comes Romeo, he's moaning |
| [01:30.04] |
"You Belong to Me I Believe" |
| [01:33.91] |
And someone says," You're in the wrong place, my friend |
| [01:38.13] |
You better leave" |
| [01:43.48] |
And the only sound that's left |
| [01:46.63] |
After the ambulances go |
| [01:52.66] |
Is Cinderella sweeping up |
| [01:56.94] |
On Desolation Row |
| [02:03.72] |
Now the moon is almost hidden |
| [02:10.60] |
The stars are beginning to hide |
| [02:14.60] |
The fortunetelling lady |
| [02:19.12] |
Has even taken all her things inside |
| [02:23.60] |
All except for Cain and Abel |
| [02:26.75] |
And the hunchback of Notre Dame |
| [02:32.70] |
Everybody is making love |
| [02:36.63] |
Or else expecting rain |
| [02:41.40] |
And the Good Samaritan, he's dressing |
| [02:45.63] |
He's getting ready for the show |
| [02:50.06] |
He's going to the carnival tonight |
| [02:54.79] |
On Desolation Row |
| [03:03.32] |
Now Ophelia, she's 'neath the window |
| [03:07.31] |
For her I feel so afraid |
| [03:11.68] |
On her twenty-second birthday |
| [03:15.39] |
She already is an old maid |
| [03:20.27] |
To her, death is quite romantic |
| [03:24.84] |
She wears an iron vest |
| [03:29.56] |
Her profession's her religion |
| [03:33.82] |
Her sin is her lifelessness |
| [03:38.60] |
And though her eyes are fixed upon |
| [03:43.31] |
Noah's great rainbow |
| [03:47.42] |
She spends her time peeking |
| [03:51.37] |
Into Desolation Row |
| [04:00.75] |
Einstein, disguised as Robin Hood |
| [04:05.02] |
With his memories in a trunk |
| [04:09.54] |
Passed this way an hour ago |
| [04:13.31] |
With his friend, a jealous monk |
| [04:17.81] |
He looked so immaculately frightful |
| [04:22.93] |
As he bummed a cigarette |
| [04:26.06] |
Then he went off sniffing drainpipes |
| [04:30.54] |
And reciting the alphabet |
| [04:35.33] |
Now you would not think to look at him |
| [04:39.52] |
But he was famous long ago |
| [04:44.43] |
For playing the electric violin |
| [04:47.97] |
On Desolation Row |
| [04:57.27] |
Dr. Filth, he keeps his world |
| [05:01.34] |
Inside of a leather cup |
| [05:06.03] |
But all his sexless patients |
| [05:09.98] |
They're trying to blow it up |
| [05:15.08] |
Now his nurse, some local loser |
| [05:19.12] |
She's in charge of the cyanide hose |
| [05:23.44] |
And she also keeps the cards that read |
| [05:27.91] |
"Have Mercy on His Soul" |
| [05:31.95] |
They all play on penny whistles |
| [05:36.48] |
You can hear them blow |
| [05:40.98] |
If you lean your head out far enough |
| [05:45.72] |
From Desolation Row |
| [05:53.41] |
Across the street they've nailed the curtains |
| [05:59.68] |
They're getting ready for the feast |
| [06:02.56] |
The Phantom of the Opera |
| [06:06.42] |
A perfect image of a priest |
| [06:10.87] |
They're spoonfeeding Casanova |
| [06:14.84] |
To get him to feel more assured |
| [06:19.36] |
Then they'll kill him with self-confidence |
| [06:23.60] |
After poisoning him with words |
| [06:27.97] |
And the Phantom's shouting to skinny girls |
| [06:33.83] |
"Get Outa Here If You Don't Know |
| [06:38.46] |
Casanova is just being punished for going |
| [06:41.83] |
To Desolation Row" |
| [06:51.40] |
Now at midnight all the agents |
| [06:57.02] |
And the superhuman crew |
| [07:00.23] |
Come out and round up everyone |
| [07:03.97] |
That knows more than they do |
| [07:08.48] |
Then they bring them to the factory |
| [07:13.14] |
Where the heart-attack machine |
| [07:17.38] |
Is strapped across their shoulders |
| [07:22.68] |
And then the kerosene |
| [07:26.19] |
Is brought down from the castles |
| [07:31.67] |
By insurance men who go |
| [07:35.85] |
Check to see that nobody is escaping |
| [07:40.52] |
To Desolation Row |
| [07:47.05] |
Praise be to Nero's Neptune |
| [07:51.08] |
The Titanic sails at dawn |
| [07:55.75] |
And everybody's shouting |
| [07:59.90] |
"Which Side Are You On?" |
| [08:04.50] |
And Ezra Pound and T. S. Eliot |
| [08:08.52] |
Fighting in the captain's tower |
| [08:13.20] |
While calypso singers laugh at them |
| [08:17.35] |
And fishermen hold flowers |
| [08:22.05] |
Between the windows of the sea |
| [08:26.00] |
Where lovely mermaids flow |
| [08:30.83] |
And nobody has to think too much |
| [08:34.68] |
About Desolation Row |
| [08:41.37] |
|
| [09:34.73] |
Yes, I received your letter yesterday |
| [09:38.46] |
（About the time the door knob broke） |
| [09:43.28] |
When you asked how I was doing |
| [09:47.16] |
Was that some kind of joke? |
| [09:52.05] |
All these people that you mention |
| [09:56.32] |
Yes, I know them, they're quite lame |
| [10:00.19] |
I had to rearrange their faces |
| [10:04.63] |
And give them all another name |
| [10:08.55] |
Right now I can't read too good |
| [10:13.33] |
Don't send me no more letters no |
| [10:17.60] |
Not unless you mail them |
| [10:21.36] |
From Desolation Row |
| [10:26.33] |
|
| [10:36.60] |
|
| [11:20.10] |
|
