| [00:20.961] |
ARTIE: Hey, Gillis! We'd give you up. |
| [00:25.814] |
Let me take your coat |
| [00:27.114] |
Jesus, Joe, what's this made of? Mink? |
| [00:30.934] |
Who did you borrow this from? Adolphe Menjou? |
| [00:35.138] |
JOE: Close, but no cigar. Hey! It's quite a crowd |
| [00:37.517] |
ARTIE: I invited all the kids doing walk-ons in "Samson and Delilah". |
| [00:40.999] |
BETTY: Where have you been hiding? I called your apartment. |
| [00:43.960] |
I called your ex-agent. I was about to call the Bureau of Missing Persons. |
| [00:47.756] |
JOE: Well, they always know where to find me. |
| [00:50.473] |
RICHARD A: You gotta say your New Year's resolution out loud Jean! |
| [00:56.360] |
JEAN: By this time next year |
| [00:58.553] |
I'll have landed a juicy part |
| [01:01.652] |
STEVE: Nineteen fifty will be my start |
| [01:04.997] |
RICHARD T: No more carrying spears |
| [01:07.782] |
MARY: I'll be discovered |
| [01:11.160] |
My life won't ever be the same |
| [01:14.133] |
Billy Wilder will know my name |
| [01:17.175] |
And he'll call all the time |
| [01:20.332] |
KATHERINE: 'Til he does, can one of you guys lend her a dime? |
| [01:22.735] |
ALISA: Just an apartment |
| [01:26.753] |
With no roaches and no dry rot |
| [01:29.818] |
ANITA: Where the hot water comes out hot |
| [01:32.419] |
BOTH: That's my Hollywood dream |
| [01:36.458] |
RICHARD A: Your resolution |
| [01:39.059] |
JOANNA: Is to write something that gets shot |
| [01:42.099] |
With approximately the plot |
| [01:45.212] |
I first had in my head |
| [01:48.299] |
MYRON: But you'll get rewritten even after you're dead |
| [01:52.096] |
RICHARD A: Artie! |
| [01:53.535] |
ARTIE: It's the year to begin a new life |
| [01:56.497] |
Buy a place somewhere quiet, somewhere pretty |
| [01:59.434] |
When you have a young kid and a wife |
| [02:02.231] |
Then you need somewhere green, far from the city |
| [02:05.539] |
It's a rambling old house with a big apple tree |
| [02:08.778] |
With a swing for the kid and a hammock for me |
| [02:12.157] |
SAMMY: Behold, my children |
| [02:15.490] |
It is I, Cecil B. DeMille |
| [02:18.472] |
Meeting me must be quite a thrill |
| [02:21.259] |
ADAM: But there's no need to kneel |
| [02:24.277] |
SAMMY: I guarantee you |
| [02:27.876] |
Every girl in my chorus line |
| [02:30.790] |
Is a genuine Philistine |
| [02:34.157] |
SANDY: They don't come off the shelf |
| [02:37.268] |
SAMMY: I flew every one in from Philistia myself |
| [02:52.538] |
BETTY: I have some good news |
| [02:56.880] |
It's "Blind Windows" |
| [02:59.097] |
JOE: You don't let go |
| [03:00.676] |
BETTY: I gave Sheldrake an outline, Joe |
| [03:03.172] |
And he swallowed the bait |
| [03:06.492] |
JOE: Well, hallelujah! |
| [03:09.755] |
BETTY: While you've been buying vicuna coats |
| [03:12.796] |
I've been making a lot of notes |
| [03:15.652] |
Now there's work we should do... |
| [03:18.856] |
JOE: Betty, you're forgetting that I gave it to you |
| [03:23.455] |
You remind me of me long ago |
| [03:25.938] |
Off the bus, full of ignorant ambition |
| [03:29.492] |
Thought I'd waltz into some studio |
| [03:32.056] |
And achieve overnight recognition |
| [03:34.610] |
I've seen too many optimists sinking like stones |
| [03:38.151] |
Felt them suck all the marrow clean out of my bones |
| [03:44.756] |
BETTY: I love "Blind Windows" |
| [03:47.438] |
But I can't write it on my own |
| [03:49.818] |
Can't we speak on the telephone? |
| [03:52.756] |
All my evenings are free |
| [03:56.495] |
ARTIE: Hey, just a minute |
| [03:58.933] |
I'm the fellow who bought the ring |
| [04:02.090] |
BETTY: Artie, this is a business thing |
| [04:05.235] |
It's important to me |
| [04:08.475] |
You'll be on location in Clinch, Tennessee |
| [04:12.898] |
Please make this your New Year's resolution for me |
| [04:20.096] |
ALL: By this time next year |
| [04:23.137] |
I will get my foot in the door |
| [04:25.831] |
Next year I know I'm going to score |
| [04:28.989] |
An amazing success |
| [04:32.310] |
Cut to the moment |
| [04:35.095] |
When they open the envelope |
| [04:38.334] |
Pass the statuette to Bob Hope |
| [04:41.377] |
And it's my name you hear |
| [04:44.895] |
We'll be down on our knees |
| [04:47.935] |
Outside Grauman's Chinese |
| [04:51.186] |
Palm prints there on the street |
| [04:54.275] |
Immortality's neat! |
| [04:57.153] |
This time next year |
| [05:00.334] |
This time next year |
| [05:04.596] |
We'll have nothing to fear |
| [05:07.347] |
Contracts all signed |
| [05:09.552] |
Three-picture deal |
| [05:12.931] |
Yellow brick road career |
| [05:18.086] |
Hope we're not still saying these things |
| [05:21.731] |
This time next year |
| [05:36.303] |
JOE: You know, I think I will be available in the New Year. |
| [05:40.703] |
In fact, I'm available right now. |
| [05:42.260] |
BETTY: Joe, that's great! |
| [05:43.456] |
JOE: Hey, Artie, where's your phone? |
| [05:44.836] |
ARTIE: Under the bar. |
| [05:47.590] |
JOE: Hey, Artie. You think you could put me up for a couple of weeks? |
| [05:51.805] |
ARTIE: It just so happens we've got a vacancy on the couch. |
| [05:55.554] |
JOE: I'll take it. |
| [06:05.855] |
MAX: Yes? |
| [06:08.491] |
JOE: Max, it's Mr. Gillis. I want you to do me a favour. |
| [06:10.789] |
MAX: I'm sorry, Mr. Gillis. I can't talk right now. |
| [06:12.531] |
JOE: Listen, I want you to take my old suitcases... |
| [06:14.097] |
MAX: I'm sorry, I am attending to Madame. |
| [06:16.536] |
JOE: What do you mean? |
| [06:18.277] |
MAX: Madame found the razor in your room. And she's cut her wrists. |
| [06:23.850] |
ALL: Three, two, one, Happy New Year! |
| [06:30.154] |
Should auld acquiantance be forgot |
| [06:33.996] |
And never brought to mind |
| [06:38.048] |
Should auld acquiantance be forgot |
| [06:42.379] |
And days of auld lang syne |
| [06:46.953] |
For auld lang syne, my dear |
| [06:51.097] |
For auld lang syne |
