| [00:00.540] |
And now for the second part of the fourth part late night tale stories |
| [00:03.890] |
Flat of Angles |
| [00:05.010] |
Written by Simon Cleary |
| [00:06.760] |
And read by me Benedict Cumberbatch |
| [00:10.250] |
Is there any more drink around here? |
| [00:11.820] |
Do you have any? |
| [00:13.470] |
Its alright, I haven’t been to bed yet |
| [00:14.810] |
I’m not drinking in the morning! |
| [00:17.670] |
I swear I had a couple of… |
| [00:20.250] |
No I think I had them before I headed out last night. |
| [00:25.250] |
I sometimes feel like I am in the 1980s |
| [00:27.950] |
Or perhaps it's part of my mom's fault watching Esatenders |
| [00:30.950] |
With my family lying back on the green velour sofa |
| [00:33.610] |
Looking out at the sodium lights of the A505 |
| [00:36.710] |
Hands fiddling with the glass on the tarnished aluminium of |
| [00:39.900] |
The Secondary double glazing thinking imagining romantic futures |
| [00:44.870] |
Set out for me by songs |
| [00:47.100] |
From top of the pops Twisted by lyrics of Genesis |
| [00:50.350] |
Starry starry nights |
| [00:53.100] |
Paint your pallid blue and grey |
| [00:55.690] |
Red and gold |
| [00:57.980] |
Are royal colors |
| [00:59.330] |
Yeah, yeah |
| [01:00.440] |
Industrial state |
| [01:03.960] |
Instead |
| [01:06.740] |
Anyway, like I say, it was great |
| [01:08.440] |
I was waiting in the corridor, to go to the toilet, |
| [01:09.990] |
Standing right in front of the door. |
| [01:11.190] |
It opened, and this girl was standing there. |
| [01:14.080] |
I was a little shocked, hadn’t expected it, and jumped a little. |
| [01:17.530] |
She did the same thing a second later, smiling. |
| [01:21.300] |
I tilted my head left, about to speak, and look sympathetic, |
| [01:24.670] |
And she tilted her head right. |
| [01:26.210] |
I raised my right hand, she raised her left. |
| [01:27.920] |
I put it back by my side, straightened my head, |
| [01:30.540] |
And she did the same. |
| [01:33.390] |
“I’ll be your mirror.” she said. |
| [01:37.280] |
Nothing else existed for a second there, I felt calm, and wanted no more. |
| [01:46.230] |
Then some chump who had slunk up the corridor goes |
| [01:51.280] |
“Awww, that is so cute!” |
| [01:53.720] |
I barged past her and slammed the door, |
| [01:55.380] |
Shot the lock across,the handle fell off. |
| [02:00.650] |
This can’t actually have happened. |
| [02:03.110] |
She is only 28.Only. |
| [02:09.170] |
What are we doing with our lives? |
| [02:11.640] |
Why are we carrying on like this? |
| [02:13.890] |
For God’s sake, why don’t we grow up? |
| [02:17.140] |
Pretending we are hip, |
| [02:18.690] |
Throwing our bodies around the room,around the town, |
| [02:21.120] |
Projected on cheap MDMA and ciders with ice, our shadows are long. |
| [02:28.760] |
They slip over the horizon, grow thinner, |
| [02:30.940] |
And disappear only the all-encompassing shadow of night takes over. |
| [02:36.700] |
That is greater than any of us. |
| [02:41.280] |
Then morning comes, and it goes away. |
| [02:45.460] |
It peels the film from eyes, |
| [02:47.650] |
Sparks cells into action, |
| [02:49.860] |
And eventually resurrects those who have avoided it. |
| [02:53.080] |
It says here is a day |
| [02:56.190] |
Do with it as you will. |
| [02:59.310] |
I am back, but she… |
| [03:10.030] |
I’m well up for keeping the session going |
| [03:13.680] |
Why did I even come back here? |
| [03:15.520] |
God knows. |
| [03:17.020] |
I’ll give her a call, |
| [03:17.820] |
See what she’s up to. |
| [03:18.380] |
We could swing down the Talbot for a few cures. |
| [03:20.460] |
Its ringing. |
| [03:21.140] |
Oh nooo… What happened? |
| [03:21.930] |
I think that… |
| [03:22.870] |
Hey! Where did you get to last night? |
| [03:25.240] |
Fancy a Bloody Mary at The Talbot? |
| [03:26.620] |
Give us a call when you get this! |
| [03:29.370] |
No. She wouldn’t move. |
| [03:34.380] |
I think I lied next to her. |
| [03:38.650] |
I lied. |
| [03:41.700] |
We had that methlathyl-whatever when I got out of the toilet. |
| [03:45.340] |
She had given that bloke the heave-ho. |
| [03:47.670] |
I can’t even remember her face. |
| [03:50.450] |
Just the strange flock texture on the wallpaper behind her in the corridor, |
| [03:53.470] |
The magnolia paintwork, |
| [03:54.920] |
The sick yellow light from a bare bulb, |
| [03:57.050] |
And decades of greasy black hand marks by the top of the stairs. |
| [04:04.280] |
Her eyes were… |
| [04:07.430] |
Black. |
| [04:09.300] |
|