| [00:00.520] |
|
| [00:08.420] |
|
| [00:18.370] |
|
| [00:30.790] |
spacesuits and asymmetric shapes combined |
| [00:34.420] |
avant-garde, can you feel it? |
| [00:38.100] |
color palettes breaking into stereo-types |
| [00:42.070] |
can I feel it another time? |
| [00:44.850] |
|
| [00:46.040] |
no matter what don't you stay in the line |
| [00:48.690] |
you better stay alive |
| [00:50.280] |
and try to listen （oh） |
| [00:52.670] |
|
| [00:53.040] |
no matter what don't you stay in the line |
| [00:56.490] |
you better stay alive |
| [00:57.950] |
and try to listen （oh） |
| [01:00.080] |
|
| [01:00.760] |
spacesuits and asymmetric shapes combined |
| [01:04.630] |
avant-garde, can you feel it? |
| [01:08.140] |
color palettes breaking into stereo-types |
| [01:12.080] |
can I feel it another time? |
| [01:14.910] |
|
| [01:15.980] |
no matter what don't you stay in the line |
| [01:18.350] |
you better stay alive |
| [01:20.280] |
and try to listen （oh） |
| [01:22.590] |
|
| [01:23.030] |
no matter what don't you stay in the line |
| [01:25.800] |
you better stay alive |
| [01:27.580] |
and try to listen （oh） |
| [01:30.330] |
|
| [02:15.940] |
no matter what don't you stay in the line |
| [02:18.270] |
you better stay alive |
| [02:20.150] |
and try to listen （oh） |
| [02:22.580] |
|
| [02:23.220] |
no matter what don't you stay in the line |
| [02:25.760] |
you better stay alive |
| [02:27.660] |
and try to listen （oh） |
| [02:30.190] |
|
