| [00:00.619] |
Naah, I don't like that. |
| [00:02.565] |
Well, try just putting a, even if it takes a hair more time. |
| [00:05.612] |
Putting a little bit more... little more of a wry thing on "a record". |
| [00:09.215] |
Track 13. |
| [00:10.293] |
|
| [00:11.179] |
This announcement from the producers of this record contains important information for radio program directors, and is not for broadcast. |
| [00:20.368] |
The first cut on this record has been cross-format-focused for airplay success. |
| [00:26.300] |
As you well know, a record must break on radio in order to actually provide a living for the artists involved. |
| [00:33.686] |
Up until now, you've had to make these record-breaking decisions on your own, relying only on perplexing intangibilities like taste and intuition. |
| [00:43.865] |
But now, there's a better way. |
| [00:46.986] |
The cut that follows is the product of newly-developed compositional techniques, based on state-of-the-art marketing analysis technology. |
| [00:55.419] |
This cut has been analytically designed to break on radio. |
| [00:59.665] |
And it will, sooner or later. |
| [01:04.343] |
For the station that breaks it first, the benefits are obvious. You lead the pack. |
| [01:10.024] |
Yes, no matter what share of this crazy market you do business in, no other release is going to satisfy your corporation's current idea of good radio like this one. |
| [01:20.576] |
On this cut, we're working together, on the same wavelength, in scientific harmony. |
| [01:27.464] |
But remember, this cut is constructed for multi-market-breaking NOW. |
| [01:32.665] |
Don't waste valuable research with needless delay. |
| [01:36.008] |
We've done the hard work of insuring your success; the final step is up to you. |
| [01:43.081] |
Special designer song follows in five, four, three, two, one. |
