|
[ti:Tragic Events Part II] |
|
[ar:Evelyn Evelyn] |
|
[al:Evelyn Evelyn] |
| [00:01.63] |
Are you crying, Evelyn? |
| [00:03.15] |
No... no... Yes. I was just thinking about Sandy. |
| [00:08.01] |
And about Bimba and Kimba. I miss them, Evelyn. |
| [00:11.84] |
I know, I miss them too. |
| [00:14.74] |
Especially this time of year, Evelyn. |
| [00:20.56] |
The year is 1991, |
| [00:22.76] |
Terminator 2 is the highest-grossing film at the Box Office, |
| [00:26.93] |
the first Super Nintendo Entertainment System has just been released |
| [00:30.85] |
and after 70 years of Communist rule |
| [00:33.61] |
the Union of Soviet Socialist Republics has collapsed. |
| [00:36.60] |
And on a chicken ranch just at side of Claxton, Georgia |
| [00:40.30] |
twin sisters are waiting for their supper. |
| [00:43.03] |
The farm is old and operated by Alfred McClock, |
| [00:46.53] |
an eccentric man with a fascination with Civil War weaponery. |
| [00:50.28] |
McClock's chicken farms produces over 140000 chickens a year |
| [00:54.81] |
and ships wings, thighs and legs all over the continental United States. |
| [00:59.33] |
Despite the modest success of his business, |
| [01:01.75] |
McClock leads a solitary life, |
| [01:03.83] |
never marrying and tending several of the chicken houses himself. |
| [01:08.20] |
A simple man with a not entirely bad heart. |
| [01:11.31] |
McClock never knew how to best take care of the young girls |
| [01:14.67] |
who came into his life shortly after their birth, |
| [01:17.11] |
so he raised them the only way he knew how - |
| [01:20.30] |
in a 2 foot by 2 foot wire mesh cage on a diet of mash, |
| [01:24.79] |
crumbles, pellets and egg booster. |
| [01:28.79] |
One clear September day during the twins sixth year at the farm |
| [01:32.88] |
McClock does not come at meal time. |
| [01:35.46] |
Night falls and still he doesn't appear. |
| [01:38.77] |
The girls and the chickens cry out from hunger. |
| [01:43.27] |
Days pass and the chickens in neighbouring cage begin to die. |
| [01:47.22] |
The smell of rotting poultry permeates the air of the hot, humid barn. |
| [01:52.37] |
Finally, desperate to find food |
| [01:55.27] |
and concerned over the whereabouts of their guardian, |
| [01:57.90] |
the twins break free from their cage. |
| [02:00.80] |
McClock's house is locked tight, |
| [02:03.24] |
but the girls find the garden hose which quenches their thirst. |
| [02:06.34] |
Still half delirious with hunger, |
| [02:08.67] |
they make their way out to the road. |
| [02:11.02] |
Little time passes before a dusty black |
| [02:13.64] |
cadillac Coupe de Ville drives by and pulls over. |
| [02:17.33] |
A tall, moustached young man with a kindly face steps out of the vehicle. |
| [02:22.12] |
He smiles at the girls, "Hello" |
| [02:23.97] |
And presents them with the first candy they had ever tasted - |
| [02:26.71] |
a Twix bar, which they share in silent, odd delight. |
| [02:32.77] |
The girls do not feel at all uncomfortable |
| [02:35.23] |
when the man lifts them gently into the dark, spacious trunk. |
| [02:42.50] |
In the following days the girls are transferred into the trunks |
| [02:44.38] |
or several other cars by many other kindly, candybar offering men |
| [02:50.61] |
until they reach their final destination at the lake side lodge in Manitoba. |
| [02:55.48] |
The underwood lodge is a collection of cosy, water front cabins |
| [02:59.70] |
with an attached trailor park along the shores of lake Winnipeg. |
| [03:03.24] |
It is also the world headquarters of Budding Flowers Entertainment |
| [03:07.92] |
specializing in the production and distribution of photographs |
| [03:11.44] |
and VHS tapes for clientele with unique tastes. |
| [03:15.14] |
The girls are welcomed by Mrs Deborah Bouldger, |
| [03:18.33] |
the 52-year-old proprietress |
| [03:20.22] |
"Well, hello, girls" |
| [03:22.24] |
A women of enormous proportions |
| [03:24.59] |
who lives with her own 3 children in the main lodge of the underwood. |
| [03:28.45] |
Upon finding that the girls have no names |
| [03:30.82] |
she christens them Eva and Lynn, names, which neither she, |
| [03:34.75] |
nor the twins themselves are ever able to keep straight"Eva, Lynn" |
| [03:39.90] |
The twins days of the underwood are relatively comfortable, |
| [03:43.00] |
they are well cared for, the food is delicious |
| [03:45.70] |
and there are many other girls their age |
| [03:48.06] |
Once a week, photo sessions take place, |
| [03:50.34] |
convivial affairs that involve make-up, |
| [03:53.14] |
a wide variety of dress up costumes and inventive new games. |
| [03:57.79] |
Every few days Mrs Bouldger introduces the girls to one of their many uncles |
| [04:02.77] |
"Eva, Lyn, say hello to your uncle Mark" "Heeey" |
| [04:07.50] |
These uncles, seemingly endless in number, |
| [04:10.00] |
travel from all over the world to visit their nieces |
| [04:13.72] |
The girls don't always like their new uncles, |
| [04:15.95] |
but Mrs Bouldger is always quick to remind them |
| [04:18.78] |
that ‘family is family’ and ‘blood is thicker than water’ |
| [04:23.29] |
The conjoined sisters are not popular amongst the other girls, |
| [04:27.14] |
however, one gentle resident, a few years their senior |
| [04:30.96] |
befriends them and takes them under her wing. |
| [04:32.50] |
"Hello, what's your name?" |
| [04:33.88] |
(Her name is Sandy) |
| [04:35.17] |
"I'm Sandy" |
| [04:36.09] |
She has soft, blond hair that reaches down to her knees |
| [04:39.93] |
Everyone says she looks like a mermaid |
| [04:42.57] |
Dressed daily by Mrs Bouldger |
| [04:44.06] |
in trade mark fishnet stockings and vintage attire, |
| [04:47.45] |
Sandy is by far the most popular girl of the underwood. |
| [04:50.61] |
She has so many uncles that the twins lose count |
| [04:53.87] |
Every night after dinner and chores, |
| [04:56.03] |
Sandy talks the young sisters into bed |
| [04:58.54] |
and tells them fantastic stories until they fall peacefully to sleep |
| [05:02.84] |
"And after the three long weeks at sea |
| [05:05.03] |
Jean Luke, the sailor finally spotted land" |
| [05:08.98] |
But these happy times do not last. |
| [05:12.18] |
Shortly after the twins' third Christmas |
| [05:14.67] |
under Mrs Bouldger's care, |
| [05:16.16] |
Sandy disappears - never to return |
| [05:20.64] |
The twins remain in the underwood |
| [05:23.58] |
for the greater part of two, long, miserable years. |
| [05:26.17] |
Without Sandy to protect them, |
| [05:27.99] |
they are ostracized and abused by the other girls |
| [05:31.03] |
"What are YOU looking at, 4-eyes?!" |
| [05:33.29] |
The photo sessions involve fewer fancy costumes |
| [05:35.89] |
and over time, their uncles become more peculiar |
| [05:39.47] |
"Did I ask you to talk?" |
| [05:40.96] |
The twins begin to notice the disturbing tendency |
| [05:43.63] |
for girls, much like their dear friend Sandy - |
| [05:46.56] |
they quietly disappear from the underwood around their 12th or 13th birthday. |
| [05:50.99] |
The sisters brace themselves for something terrible |
| [05:54.13] |
One autumn, when the girls are eleven, |
| [05:57.74] |
an old man, who speaks only Spanish, |
| [05:59.88] |
takes the twins into a large, orange van |
| [06:02.35] |
and drives them to their new home |
| [06:04.01] |
"Step right up, step right up, see amazing human oddities, |
| [06:07.44] |
freaks of nature, be warned, people with heart condition, |
| [06:10.86] |
children, women - we will accept no responsibility for fainting, |
| [06:14.66] |
reoccurring nightmares, or death" |
| [06:16.58] |
Dillard and Fullerton, elusive and illogical traveling |
| [06:19.76] |
show is the 12th largest touring circus in North America. |
| [06:23.31] |
Former insurance salesman, |
| [06:25.38] |
Dillard and Fullerton, distinguish their enterprise |
| [06:27.96] |
by procuring the most procuring specimen of the grotesque and unusual. |
| [06:32.21] |
Their small administrative staff works tirelessly |
| [06:35.17] |
to combat legal actions and public allegations |
| [06:37.76] |
of animal cruelty and human slave trafficing. |
| [06:40.90] |
Life in the circus is harder than their time at the underwood. |
| [06:43.92] |
There is always work to be done. |
| [06:45.72] |
In addition to their chores of laundry and sweeping, |
| [06:48.27] |
Mr Dillard insist that the twins |
| [06:50.95] |
spend many hours each day practicing their act. |
| [06:53.27] |
"What are you staring at for?" |
| [06:54.58] |
The girls are frightened of the clowns, |
| [06:56.32] |
several of whom, by amazing coincidence, |
| [06:59.02] |
also happen to be their uncles |
| [07:00.97] |
"Hello, hello, hello" |
| [07:02.67] |
But still, overall these early days |
| [07:05.48] |
at the circus are happy time for the twins |
| [07:08.35] |
Every night to the delight of audiences across the country, |
| [07:11.72] |
the girls appear in the center ring, singing and strumming the ukulele, |
| [07:15.54] |
at the top of Bimba and Kimba - |
| [07:17.73] |
the world's only known conjoined twin siamese elephants. |
| [07:22.36] |
The twins feel they have found true soulmates in Bimba and Kimba, |
| [07:26.51] |
who they affectionately refer to as‘Elephant,Elephant’. |
| [07:29.48] |
This special bond is reciprocates by the pakaderms, |
| [07:32.47] |
who fondly nozzle the girls with their trunks |
| [07:34.85] |
and seem to delight in giving them rides. |
| [07:38.03] |
(The twins and the elephants are inseparable) |
| [07:41.30] |
With the help of the Alphonso de Ares tin, the animal trainer, |
| [07:45.53] |
the twins tend to the elephants, feeding them and grooming them daily. |
| [07:50.13] |
But one terrible August morning, |
| [07:52.03] |
Bimba and Kimba refuse to take their food. |
| [07:54.55] |
Due to the unsanitary conditions of their quarters |
| [07:57.67] |
and an improper diet of popcorn and cotton candy, |
| [08:00.59] |
the elephants have contracted a rare form of elephantine diphtheria |
| [08:04.22] |
compounded by early onset Alzheimer's disease |
| [08:07.31] |
For the next two weeks can only stand by helplessly, |
| [08:11.42] |
as their companions become sicker and weaker |
| [08:13.91] |
and begin displaying obvious signs of memory loss. |
| [08:17.17] |
The last few days are almost unbearable. |
| [08:19.61] |
With Bimba and Kimba's confused, sad eyes |
| [08:22.65] |
looking up at the girls with great anguish, |
| [08:25.31] |
but no hint of recognition. |
| [08:26.85] |
And on one, grim,September day |
| [08:29.82] |
The sisters 16th birthday |
| [08:32.35] |
(Elephant Elephant dies.) |
| [08:35.59] |
The funeral is held at the same day |
| [08:37.99] |
a grizzly affair had an industrial trush compactor |
| [08:41.06] |
behind a Home Depot in Fort Dodge,Iowa. |
| [08:46.12] |
The twins are devastated. |
| [08:48.48] |
Without Bimba and Kimba life is but a terrible and meaningless void. |
| [08:53.03] |
They resign themselves to living out |
| [08:55.18] |
the rest of their hollow existence in solemn mourning. |
| [08:58.50] |
The emotionally exausted sisters fall from favour within the circus |
| [09:02.49] |
No longer willing to sing and play their ukulele, |
| [09:05.89] |
the girls are dressed in a pink tutu |
| [09:08.84] |
and forced to balance on the giant red ball, |
| [09:11.43] |
an impossible task for the conjoined sisters |
| [09:14.66] |
"Get on that damn ball!" |
| [09:16.44] |
The audience roars with laughter each time they awkwardly fall. |
| [09:21.02] |
Their discomfort is increased by a pair of radical groups |
| [09:25.60] |
who have taken an interest ih the twins. |
| [09:27.62] |
Every night in most major cities, |
| [09:30.00] |
protestiers assemble, nosily waving signs |
| [09:32.25] |
and chanting slogans in front of the Box Office. |
| [09:35.30] |
The first faction claims to represent an organization called 'FASSEN' - |
| [09:39.80] |
the Foundation for Always Separating Siamese Twins Everywhere Now. |
| [09:46.36] |
Citing the bible,FASSEN members believe |
| [09:49.52] |
that it is the will of the Lord that all conjoined twins be separated |
| [09:53.34] |
and allowed to live individual lives. |
| [09:55.92] |
Wielding symbolical surgical saws and blunt carbon knives, |
| [09:59.28] |
FASSEN members tried the ticket buyers for supporting the abomination of god. |
| [10:04.55] |
The second group operates under the acronym SPLIT - |
| [10:08.46] |
the Society for the Preservation of Linked Identical Twins. |
| [10:13.24] |
A reactionary organisation, working to discredit the claims of FASSEN, |
| [10:18.02] |
SPLIT believes that conjoined twins will play a |
| [10:20.81] |
critical role in the second coming of Christ. |
| [10:23.52] |
The twins are terrified by both groups - |
| [10:26.73] |
the knives and saws make them very nervous |
| [10:29.68] |
and SPLIT members make threats to kidnap the girls |
| [10:33.33] |
and take them to where they will be kept safe |
| [10:35.41] |
in a place of darkness until the rapture. |
| [10:38.66] |
One day before a Sunday matinée in Sacramento, |
| [10:42.22] |
a chaotic brawl erupts between the two factions |
| [10:46.08] |
and one FASSEN member gets allarmingly close to the twins with a hacksaw. |
| [10:52.49] |
Stricken with fear, the sisters decide |
| [10:54.88] |
that they are no longer safe at the circus. |
| [10:57.23] |
That night, they make a resolution - |
| [11:00.00] |
to leave the Dillard and Fullerton travelling show - |
| [11:04.99] |
(FOREVER) |